Tuesday, August 30, 2016

My Morning Meditation

Today's morning tile
For me, Zentangle is as much, if not more, of a meditation practice than an artistic one.  Most mornings, summer or school year, I begin my day's routine by sitting in a corner of the couch, drinking tea or coffee, and doing a Zentangle tile.  Then, some days, I photograph it and post it to my Yankee Tangler feed on Facebook.  Which means, that the majority of tiles I post on FB and then here on my blog, were done in a morning's sitting, between 15-60 minutes, depending on my practice.  Sure, sometimes I do a larger canvas or frame or pencil pouch or even a rock but never for morning practice.  Those are my later Zentangle-Inspired Art projects.  My morning tile is all about the meditation.

I used to meditate in the more traditional way in the morning--lying down, counting my breath, and returning to my breath when I wandered into thinking or worrying.  But I found I was so ready to "do" something in the mornings, that I didn't sit well (I know, I know, judgement.)  So, now I meditate in the evenings (where the challenge is not falling asleep!) and I tangle in the mornings.  It's enough of an activity that I am not restless but enough meditation that it helps clear and calm my mind.

I embrace the no-mistakes philosophy.  Sure, I like to make tiles that please me visually and I'm happy to share those; but I mainly make tiles for the making of them, and share those, too--even when they show smudges or wobbly lines or just don't seem to coalesce.  It's all part of my practice and I want other tanglers to know that it's always a work in progress.  Practice makes progress.

Trust me, I'm an art historian and spent decades in academia and the museum world discussing composition, style, connoisseurship, etc etc etc.  I know what follows traditional artistic "rules," especially about internal and consistent light sources, perspective, vanishing point, realism, three-dimensionality, etc.  I've looked at tens of thousands of works of art from all over the world, in a variety of different media, and know what constitutes beauty, a "masterpiece," in many cultures.  In fact, I believe it is what hampered my own creativity (except crochet, which is "women's work" and never appeared in my art history classes!)  And now, I have my Zentangle practice.  Sure, the academic art historian in me wouldn't call my little morning tiles "art," though I would recognize the long-time human occupation with patterns.  But I also recognize that the tiles are pleasing to me both in and of themselves and because of their meditative value.  And if you define art as an artistic expression--which is a pretty broad definition (yep, I took theory and philosophy of art, too)--then my tiles do qualify.  But, honestly, I don't care anymore.

If you look around the web, especially Pinterest, at Zentangle tiles, as many new tanglers do, you'll see so many beautiful, almost perfect ones and it's hard not to "compare and despair."  But there is something you need to know:  sure, some of these are made using the steps of official Zentangle, but many, if not more, are perfected pieces of art not made in a single sitting--first, sketched out in pencil (sometimes even with a grid and eraser) and then traced in pen, often by practitioners trained in the graphic arts who work professionally; they are not amateur tanglers.  This doesn't lessen the beauty of their tiles, but I would hesitate comparing them to a regular tile.   I would call these Zentangle-Inspired artworks (ZIAs) and think it's important to differentiate between them and meditative  Zentangle tiles, like my morning practice ones.  Now, I find great inspiration in those amazing ZIAs made by talented Zentanglists, but I no longer expect mine to look like them; our purposes are different and, knowing that, I am not discouraged.

All of which is to say, choose your practice.  Are you tangling as meditation?  To express your creativity?  To improve your drawing technique?  To make beautiful works of art?  To sell or publish or teach?  Once you know what you want--and on different days, it might be different--have your practice reflect your goal.  I do practice my drawing technique and seek to make something pleasing to look at, but meditation is first for me.  And teaching is second, hence this post and the frequent sharing of my tiles.

Whatever your practice, happy tangling!

Centering Myself

Looking over my practice tiles from recent mornings, I'm noticing a distinct pattern:  lots of centering circles and spirals.  And only a few of them in actual round Zendala tiles.  For whatever reason, it appeals to me right now.  And I'll keep playing with different circular ideas while it does.


knightstar with flukes, bannah, shattuck, and pokeleaf

showgirl, geo-flower, fracas, Rubenesque, betweed, biscus

fassett with floatfest, static, knightsbridge, quipple, and cheesecloth

betweed

fracas

biscus with huggy bear and diva dance

Rubenesque, geo-flower

Geo-flower, Rubenesque with floatfest

Rubenesque with floatfest

Fengle with crescent moon and floatfest

Fengle with pearls and knightsbridge

Cabbage rose with eddy, florz, and chainging

'nzeppel spiral with mooka and pokeleaf

A Fun Project: Wooden Frame

I really like Target's growing craft section, finding many things I can use for Zentangle projects.  Besides the wood "chips" and canvases that I've decorated in the past, I picked up a wooden frame and some Mod Podge a few weeks ago and made them into a lovely frame.

Here's a quick run-down of my process:

1.  Coat the wood evenly with a thin layer of Mod Podge; I use a foam brush and a disposable aluminum tray (I wouldn't want it to stick to paper.)  Let it dry and reapply if necessary (mainly, if it's still bumpy, put down another layer.)



2.  Pencil your string very lightly.




3.  Tangle your frame with a fine-tip Sharpie.  Use a gray Fabrico to add shading.  When making a frame with a complicated string, I often work on opposite sides of the piece alternately.  I also lay down the "top" tangles first.  Below, I started with the pokeroot and pokeleaf, punzel, and stricircles, before adding the other tangles.  This way, these tangles look like they run over the others, especially noticeable in the upper left corner.

4.  VoilĂ !



Another Great Youth Class

I had my second youth class last week, with close to ten children ages 8-11.  I've settled on my lesson plan for Youth 101, starting with a breath meditation, then doing a Z-string with four beginning tangles (usually crescent moon, hollibaugh, then pokeroot or leaf and flukes or florz), and finally a monotangle (bales, fassett, etc.)  We do class mosaics for each tile and I pass out a recommended resources list at the end.


I always practice the tile a few times before the class; it refreshes my mind and my practice, takes me back to the beginning, to the Zen beginner's mind.  And this time, I also made a canvas Z-string with basic tangles, for display.


Can't wait for the next one!



Wednesday, August 24, 2016

Tangling with Grandma

My mother recently visited us, traveling from Texas to Connecticut for a week.  We did many of the usual summer things--swimming, movies, sailing--but we also tangled in the cool indoors.  My mom loves to tangle, spending a few hours most days learning new tangles and creating beautiful tiles; she also attended the Zentangle retreat at Kripalu with me in the spring.  While she was here, she poured over my Zentangle books, picking up a few new tangles and techniques.  She especially liked "lace," seen at the bottom of the bottom tile.




She also encouraged us to create a single family mosaic, made up of four different tiles with a connecting string tangled by each of us.  I think they came out pretty well.



I think she plans to frame and display them at home.

One of the last things we did was decorate some of the new official Zentangle pouches I'd gotten for us (look for these on zentangle.com soon; I believe they are currently available only to CZTs.)  I prepped the nude canvas with Mod Podge Fabric and we each tangled our own with an Identi-Pen.    

See, hers has the lace again!  My daughter tried it, too.  And I'm still playing with floatfest and Rubenesque.  It was a memorable souvenir for a great visit.



Happy tangling!

Monday, August 8, 2016

Recent Tiles

Some of my recent creations.  I see some patterns--lots of orbs, cabbage roses, florz, and floatfest.











Tuesday, August 2, 2016

The Evolution of a Tangle

I'm not sure exactly when I first saw the tangle Floatfest, but I remember a beautiful tile on the Zentangle app Mosaic by my co-CZT#22, Anja Schaffeld (the link leads to photos of two tiles on her blog) that featured the tangle--and almost as importantly, it's name, Floatfest, a tangle by Carole Ohl, CZT.  I wanted to give it a try.

And so, here, I'm documenting how I go about learning a new tangle.  For me, this one was particularly challenging, a high-focus tangle.  I found a link to a step-out by Adele Bruno, CZT, on Pinterest; I used that as my starting point.

I first tried it in my regular sketchbook, working fast and trying to get down the pattern.  Bruno's notes were helpful, especially the one that said it didn't matter where the arches started or ended.  And so I practiced.


And practiced.


And practiced, not completely happy with my understanding of the tangle quite yet.


And so I put it on a tile (photographed here with a rainbow from a prism.)


My second tile went through it's own progression; first, with white arches.


But I had liked the play of black and white in my first tile and so colored some arches in, which has the bonus of hiding some "mistakes" in the hollibaugh-like overlap.



But I didn't like that much either and so I colored them all in.  I think I prefer the first one, uncolored. Oh, well.  No mistakes.


Which led me to the next two tiles, with the words "Try" and "Practice," and different heights and widths of arches.




 I combined it with fengle and crescent moon, making a mandala of arches (with prismatic rainbow.)


I tried it with another new tangle I learned this weekend, Rubenesque, and some perfs, an idea from Anja.


Which brings us to this morning and a Zendala (Zentangle Mandala) that I made with geo-flower, Rubenesque, and floatfest.  I'm getting the hang of floatfest now, after several attempts; I'm comfortable enough playing with it but know that I'm still not consistent with it (or with geo-flower and Rubenesque, for both of which I've worked through a similar process as floatfest.)  



And that's okay.  For me, it's about process--all of those tiles above and the relaxation and calm I experienced doing them (okay, not in the first few attempts, which was concentrated learning)--not product.
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Playing with Prisms

I haven't really introduced color into my Zentangle tiles or ZIAs yet--at least not by coloring them myself.  I did, however, have a good time photographing my tiles by placing them where my prisms cast rainbows in the morning with my son.  It's an amazing effect.

I might just have to try coloring them myself!




My son's tile commemorating our cat


My son's tile


Another of my son's tiles